A laid Alvar Aalto table and chairs in white dining room with beamed ceiling and Graham Sutherland silkscreen. Early prints and landscapes. Dry stamp: Siro Teodorani. Description: in 1982 at the Tate Gallery in London, in 1998 in France and in 2005 at the Dulwich Picture Gallery, also in London. Image not available. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. For further information on this lot please visit the Please refer to department for condition report unframed, Description: There are losses to the sheet in all but the lower right corner, not visible in the current mount. Lithograph by. See available works on paper, prints and multiples, and paintings for sale and learn about the artist. GRAHAM SUTHERLAND (1903 - 1980) Senza titolo. VI/XV' in pencil, an hors commerce impression aside from the edition of 75, printed by Mourlot, Paris, published by Ediciones Poligrafa S.A. Barcelona, 650 x 503mm (25 1/2 x 19 4/5in)(SH) Printed by the artist, and published by Twenty-One Gallery, London. Description: There are two collaged pieces of paper that have been adhered to the sheet along the left edge, and a further piece in the lower right corner, apparently by the artist. CHF600 - CHF800, Description: NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Submerged Form (Tassi 106) Graham Sutherland lived in the XX cent., a remarkable figure of British Surrealism and Neo-Romanticism. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. H_32,5 cm L_23 cm, Lot 22: Graham Sutherland (1903-1980) Study Boards (Tassi 116). Sutherland spent four months from the end of March 1944 at the Royal Ordnance Factory at Woolwich Arsenal working on a series of five paintings for WAAC. Bonhams website. Image not available. (British, 1903-1980) Condition Report: In 1946, Sutherland had his first exhibition in New York. Eventually, in 1955, he purchased the villa Tempe à Pailla designed by the Irish architect Eileen Gray at Menton. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Bonhams website. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Etching, 1927, on laid, signed in pencil, one of six proofs (first state), aside from the edition of 23, printed by the artist, published by Twenty-One Gallery, London, with full margins, 125 x 160mm (4 7/8 x 6 1/4in)(PL) The condition was rated A-: Near Mint, very light signs of handling. Graham Sutherland O.M. 1979, Description: Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. Study Boards (Tassi 116) 1972. £2,000 - £3,000, Description: NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.". Prints of romantic landscapes dominated Sutherland’s work during the 1920’s. This excepting the work appears to be excellent overall condition. Description: During the 1920s Sutherland produced a series of prints and drawings directly inspired by the example of Samuel Palmer. The Lithograph is from an unknown edition size. Lot 11: Graham Sutherland OM, British 1903-1980- Insect no. Warning Camp with a window of pale light-staining, the upper sheet edge with adhesive staining and tape remains, some minor unobtrusive scuff marks in the margins. National Gallery of Canada. GRAHAM VIVIAN SUTHERLAND (1903-1980) Beetles , vers 1968 Lithographie couleur signee au crayon par l’ artiste Dimensions : 63 x 45 cm, Description: From June 1942, Sutherland painted further industrial scenes, first at tin mines in Cornwall then at a limestone quarry in Derbyshire and then at open-cast and underground coal mines in the Swansea area of South Wales. £1,500 - £2,000, Description: The couple, who were inseparable, lived at various locations in Kent before eventually buying a property in Trottiscliffe in 1945. His partisans call it the “infamous portrait,” the “daub,” the “outrage.” Better, they said, to present him with something he really liked. IV 63’ Plate 9 from the portfolio ‘Europäische Graphik I (Englische Künstler)’Published by Edition Galerie Wolfgang Ketterer, Munich (with blindstamp)Catalogue raisonné: Tassi 69; Ketterer Editionsverzeichnis 196Image dimensions: 65.7 x 50 cm, sheet-sizedGood conditionEstimate by Auctionata Expert: 700 Euro Condition:The lithograph is in good, age-related condition with minimal signs of age and wear. Winston Churchill hated Sutherland's depiction of him. Frontispiece to a Bestiary (Tassi 81) (msc) Shipping costs excl. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. For further information on this lot please visit the Printmaking, mostly of romantic landscapes, dominated Sutherland's work during the 1920s. Lot 17: Graham Sutherland (1903-1980) Study of a fig tree against landscape, 1944 ink. English artist Graham Sutherland walks along a path surrounded by iris plants at his house, La Villa Blanche in Menton, France in 1964. Graham Sutherland. Graham Sutherland (1903-1980) Untitled (Five tree form, red and green), c1970 pen, ink, watercolour, graphite and coloured crayon on paper 9 x 7 in., 22.9 x 17.8 cm IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Held under glass in a painted and gilt plaster frame. Forme de roche dressée (Tassi 115) Graham Sutherland O.M. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. The edges of the sheet are slightly uneven, in keeping with the Artist's materials. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work. £1,000 - £1,500, Description: Dimensions : 63 x 45 cm, Description: Articulated Form, 1949. Paper size is 12.25 x 9.5 inches, with an image size of 12.25 x 9.5 inches. Graham Sutherland. A number of portrait commissions in the 1950s proved highly controversial. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Description: A major exhibition of rarely seen works on paper by Graham Sutherland, curated by artist George Shaw, was presented at , UK in 2011-12. He began his early career as an engineering draughtsman to appease his father, before moving on to study etching at Goldsmith’s College of Art. €3,000 - €4,000, Description: 38 - 1972, Lot 13: GRAHAM SUTHERLAND, O.M. Description: Head, 1951. Please Register/Login to access your Invaluable Alerts, View additional info and full condition report. Lot 19: Graham Sutherland (British 1903-1980), untitled, working sketch for The Crucifixtion, pencil on paper, unsigned, (27.5 x 20cm). Shop Art.com for the best selection of Graham Sutherland wall art online. To complete the work, Sutherland visited the weavers, Pinton Frères [fr] of Felletin in France, on nine occasions. [19] A major exhibition of rarely seen works on paper by Sutherland, curated by artist George Shaw, was shown in Oxford, in 2011–12. 69.5 [23], Although Sutherland had converted to Catholicism in 1926, and from 1950 until he died was deeply involved in religion, he never stopped creating work based on nature and natural forms. Of course, it's a risk." There were major retrospective shows at the Institute of Contemporary Arts in 1951, the Tate in 1982, the Musée Picasso, Antibes, France in 1998 and the Dulwich Picture Gallery in 2005. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Description: ", Description: Graham Sutherland O.M. "XXe Siecle no. He served as an official war artist in the Second World War drawing industrial scenes on the British home front. Lithograph, 1971, signed and numbered XXX/L in pencil (Dimensions: 75cm x 54cm (29.5in x 21.25in)), Description: And there are small spots with foxing. The canvas is original. 1972, Description: This status was underlined by the award of the Order of Merit in 1960.[20]. Graham Sutherland O.M. Form in a Desert (Tassi 144) x 19 1/2in). (British, 1903-1980) There is a possible old repaired tear running from the centre of the top edge, a possible loss and repaired tear to an area in the lower right corner, two further small possible repaired tears to the right of the signature, as well as a few other tiny repaired tears to the edges. Leicester Galleries, London, 1967. Works by Artist. Etching and aquatint printed in colours, 1974, on wove, signed and numbered 30/90 in pencil, printed and published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 940 x 950mm (37 x 37 3/8in)(SH)(unframed) £12,000 - £18,000, Description: In 1951, Sutherland was commissioned to produce a large work for the Festival of Britain. 9 [Tassi 69], 1963; lithograph in colours on Arches wove, dated in the plate, signed and numbered 4/35 in pencil, from the portfolio titled Europaeische Graphik I, printed by Emil Matthieu, with their blindstamp, published by Felix H. Man and Galerie Wolfgang Ketterer, Stuttgart, with their blindstamp, sheet 56.4 x 45cm (unframed) (ARR) Bonhams website, Estimate: Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work. XII/XX 55 x 70 cm Firmata a matita in basso a destra /// Forms 1974 Lithograph, ed. His work from this period includes two suites of prints The Bees (1976–77) and Apollinaire (1978–79). [7] Much of his work from this point until the end of his life incorporates motifs taken from the area, such as the estuaries at Sandy Haven and Picton. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. Condition Report: Graham Sutherland (British 1903-1980), untitled, working sketch for The Crucifixtion, pencil on paper, unsigned, (27.5 x 20cm). Major retrospectives of Sutherland's works were e.g. Lithograph in colors on wove paper Great Britain, 1963Graham Sutherland (1903-1980) – British painter, graphic artist and illustrator Signed 'Graham Sutherland' and numbered ' I/XXXV' in pencil and dated '1.IV 63' on the stonePublished by Edition Wolfgang Ketterer (with blindstamp)Image dimensions: 65 x 50.2 cm; sheet dimensions: 76 x 52 cmGood conditionEstimate by Auctionata Expert: 800 Euro Condition:The sheet is in good condition with handling creases and very few small marks. Anni 70. CHF1,200 - CHF1,500, Description: Lot 18: Graham Sutherland (1903-1980) Machines and Organic Forms (Tassi 100), Lot 18: SUTHERLAND GRAHAM VIVIAN Due forme, Lot 18: Graham Sutherland O.M. Kindly contact Potomack for condition notes. (British, 1903-1980) However, a visit to Pembrokeshire in 1967, his first trip there in nearly twenty years, led to a creative renewal that went some way toward restoring his reputation as a leading British artist. [7], Sutherland also took up glass design, fabric design, and poster design during the 1930s, and taught engraving at the Chelsea School of Art from 1926. In 1926 Sutherland became a member of the Royal Society of Engravers and Etchers. Untitled.. Signature and year lower right.. Cm 16,00 x 8,00. SUTHERLAND GRAHAM (1903 - 1980). His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. (13 x 9 3/4 in.) (MAY BE SUBJECT TO ARTIST'S RESALE RIGHTS), Lot 19: Graham Sutherland O.M. Lithograph in colors on wove paper ‘Arches’ (watermark)England, 1963Graham Sutherland (1903-1980) – British painter, illustrator, watercolor painter and graphic artistSigned ‘Graham Sutherland’ and inscribed ‘H.C.’ in pencilDated on the stone ‘4. He attended Epsom School and then studied art at Goldsmith’s School of Art (1921-26) where he quickly became a highly skilled etcher. [11] Between 1940 and 1945, Sutherland was employed as a full-time, salaried artist by the War Artists' Advisory Committee. signature in the lower right corner, Description: [19] In all, Sutherland painted over fifty portraits, often of European aristocrats or senior businessmen. gouache, pastel and pencil on paper; with lithograph printed in colours, heightened with gouache and pastel (on the reverse) There are a few creases to the work, including in the sky and to the mountain top. The work is window mounted and presented in a painted wooden frame, held under glass. However, the strange shadows and bizarrely gnarled and twisted tree trunks strike a … £20,000 - £30,000, Description: Beginning in 1949, Sutherland painted a number of portraits, with those of Somerset Maugham and Lord Beaverbrook among the most famous. Cm 76,00 x 55,50. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. [8] Oil paintings of the Welsh landscape dominated his first one-man exhibition of paintings held in September 1938 at the Rosenberg and Helft Gallery in London. no. Lot 20: Graham Sutherland O.M. £750. Lithograph printed in colours, 1971, signed and numbered from the edition of 200 in pencil, on wove paper, published by Cercle Graphique Européen, the full sheet, 770 x 525mm (30 1/4 x 20 3/4in) (unframed) He also painted mining and quarrying scenes in Wales and Cornwall. Original canvas. There are some traces of light surface dirt and studio detritus in places, but subject to the above, the work appears to be in good overall condition. There is a pinhole and minor abrasion to the left of the second study. Image area very good. 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